Death Blooms

Death Blooms

Many artists have a preferred scale to work at; part of this is familiarity and habit, but certain media, certain styles, and certain subjects work better, or sometimes not at all, at specific scales. In order to support oneself as an artist though it is essential that artists experiment with different scales as larger sizes sell less for more and medium vice versa. Still, it isn’t practical to make a 20 foot lithograph, and Guernica wouldn’t have 1/12th it’s power at 11.5 x 25.5 inches. One of the nice things about the digital tools is that it has allowed artists to simulate different media at any scale and today a 2D artists is only limited by resolution and the availability of subjects to manipulate.

When making a digital collage though one is effectively working outside the constraints that originally lent character to the physical version; one has effectively eliminated the limitation of scale, incongruous lighting/ hue, and availability of materials. The incongruities that these issues caused was what gave them a unique character when compared to prints, illustrations, and paintings of the past. This tends to lend digital collages artists a distinct characteristic that one doesn’t see in the art of their forebears.

This image isn’t a painting, and it doesn’t feel like it would ever have been a collage. It feels “mixed media”, but it is definitely too modern in its tone, aesthetic, forms, to be anything but contemporary. The word that best seems to describe all of the components, and the work as a whole is “incongruous”. This isn’t to say that the work feels confused, but rather, that the work has a shifting uneasiness about it that makes it all the more captivating.

The woman as a whole seems sad, but then you look at her downward gaze and see contempt; you reevaluate, “is that ennui”, but there’s a skull shooting out of her head. Is the skull death, or a representation of mental illness? Both interpretations could work, but there’s something of a violence in the skull that isn’t there in the woman’s face. Is the skull screaming, in motion, is it animate or inanimate? Who’s to say. What strikes me about this initial impression though is that while the title is ‘Death Blooms’ and there are flowers all over the picture, I can’t help but think of fungus and rot…perhaps mold while looking at this image. In terms of execution, it feels like the girl and the skull would be a wheat paste design, the flowers in the foreground feel like an illustration, the back circle feels like origami paper and a picture of a kumiko screen. The limited pallet ties it all in together while reinforcing the overall mood of the piece. It has an interesting overall silhouette. Its ambiguity gives it broad appeal. I think that this image is one that a person could live with and look at often and never be sure of the conclusion they draw about what’s going on, while retaining a certain feeling from it like what is held in the eyes of the female figure.

Design by: Kingnamu
Price:  $20.00 @ Threadless
Colors: Black, White, Grey

Fairy Knight

Fairy Knight

This design truly surpasses the typical soft and dark contrast of pastel goth and punk; in doing the design stands as an example of what the style might achieve were it to broaden its conventions. The circular rainbow is typical of the style, but excluding the dark saturated blue and the black within the figure that is something else entirely, the rest of the colors break with the style in a subtle but significant way.

Typically to remain graphic in nature Pastel goth/punk images will bolster the design with outlines. Not only is that not present here, but the washes of the cape and scythe have been enhanced so as to create an oil on water effect that adds a toxic undertone to this effigy of death. The figure itself stands out in terms of value in a way that stamps it upon the more decorative elements of the piece.

What ultimately makes this image interesting is the use of value to create layers and varying weights within the image. The use of texture to create a hierarchy of interest and emotion. The wings as elements point to the greeks and Hermes, Seraphim, and (in their coloration) parrots. Pastel as an aesthetic is here challenged and expanded by light saturated washes. Pastel seeks to lighten the macabre through color, here it is made ethereal and pernicious through the masterful execution of shape and transitions.

Design by: Witnesstheabsurd
Price:  $22.38 @ Teepublic
Colors: White, Black, Tan, Grey, Blue, Red, Pink

Bones and Botany

Bones and Botany

Bones and Botany works in that it is pleasing at the macro level and curious upon closer inspection. The saturated colors and bold outline means you can see what the design fundamentally is from across the room, and upon closer inspection you get to notice the charming little details that E Moss has left: the hummingbird, the bat in the ribcage, the mouse on the elbow.

It’s surprisingly difficult to pull off a design that will work with any color tee, admittedly some color combinations are clear standouts, but the predominance of white within the skeleton, the breadth of color within flora and fauna, and the overall saturation come together to pull it off.

Certain elements such as the flower in the pelvis or the moth on the skull shouldn’t work, but the multitude of detailed anchored by the central form somehow allow them to exist without drawing attention; when you finally see them it’s less a compositional choice to be evaluated than an intriguing surprise of “how was that not the first thing I noticed”, sort of an easter egg effect squeezed into a compact composition.

The design is noteworthy in that it doesn’t fall into the common vanitas category of skull/ skeleton images; the plants and animals seem more like something drawn by a naturalist than a dour painter of dead things in a dark room, which is. refreshing

Designed By: E Moss
Best colors: Redbubble offers 16 colors, any will work for this design.
Cost: $19.90 @ Redbubble