There’s a certain allure to the morbid. It’s not new or modern, it’s as old as basic artistic aptitude. What is interesting and what might be distinct within the cannon is violence paired with indifference; it’s s&m before the term, the words, and the underlying power dynamics they represented paired with mortality (supposedly “the great equalizer”). If you’ll indulge this writer, there’s something gloriously lo-fi about this image. The fact that this term isn’t more commonly used in the context of visual art seems to be a huge oversight. When you hear Daniel Johnston’s Music and see art the connection is obvious. His art was not merely “outsider” art and neither is this design.
Within psychology there’s something called the ‘TAT‘ (Thematic Appreciation TEST) where a subject is shown a number of images and asked to supply the context. Based on the stories the subject concocts the administrator is suppose to glean things about the persons psychological state. This image seems to be- not straight forward, but not to complex; that is until one sees that the nail going through the man’s skull first past through the woman’s hand. So many questions. Who the hell held the nail for her? The ambiguity is what makes it interesting.
While the style doesn’t need to be minimal in the way that is in order to function, the simple style lends it a bored ‘fantasy doodle’ sort of quality that ads depth to the image. The man, or maybe the boy appears to be wearing a Japanese school uniform whereas the woman seems look and be dressed as a young adult woman. The style of the image seems to break the fourth wall and tell us of a bored school boy drawing this image as envisaged by the real life creator of this design. One can therefore speculate on the scene, and the artist who’s notebook and sun-conscious we’ve been given a peek into. The design is great for the deceptiveness of its simplicity, besides the overall merit of its composition.