Kraaaaaaaaaaaang!!! Since Nolan’s Batman hit there’s been this drive towards realism within cinematic adaptations of comic books, which is all fine and good; the Adam West era of comic book depictions just wasn’t going to fly in these our modern times. There is something to be said, something of value contained within the exaggerated/ stylized, and surreal depiction of comic book characters that was there in the 90’s. Heath Ledger’s Joker, Tyler Durden, while perhaps representations of toxic masculinity are powerful examples of how outlandish characters could subjugate realism and thereby become iconic by personifying certain archetypes, but it wasn’t tell ‘Suicide Squad’ and Harley Quinn, train wrecks that these movies were, that you got to see outlandish style in both character and in form. The 90’s era of cartoons, the era that this design references was a time of caricature, but not out of laziness. The characters ‘Rock Steady’ and ‘Bebop’ were the creators trying to point people towards culture… and sell an imperial buttload of toys. There’s none of that in the Michael Bay adaptations, because Michael Bay is a a fundamentally a mouth breathing philistine. What you may ask does any of this have to do with this design?
This design references a time when superheroes, supervillains were too fantastical to exist in reality. There were the powers, but there was also the style. Somewhere between the aesthetic sensibilities of WWE and Devo, Krang and his automaton exist and really should be f#$%king things up; that level of style, energy, knowledge or nostalgia ought to be harnessed in modern animation. This design is somewhere between blueprint, cutout, and 90’s in substance and early 60’s in style and references a bygone sensibility in which more things were possible.
Design by: Yema Yema
Price: $22.00 @ Teefury
Colors: Purple, Black, Grey, Navy